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Fidelio
Metropolitan Opera House, Mon, January 27, 1992
Debut : Reiner Goldberg, Sylvia McNair
Fidelio (187)
Ludwig van Beethoven | Joseph Sonnleithner
- Leonore
- Hildegard Behrens
- Florestan
- Reiner Goldberg [Debut]
- Don Pizarro
- Ekkehard Wlaschiha
- Rocco
- Matti Salminen
- Marzelline
- Sylvia McNair [Debut]
- Jaquino
- Donald Kaasch
- Don Fernando
- Alan Held
- First Prisoner
- Michael Forest
- Second Prisoner
- James Courtney
- Conductor
- Christof Perick
- Production
- Otto Schenk
- Designer
- Boris Aronson
- Lighting Designer
- Gil Wechsler
- Stage Director
- Bruce Donnell
Fidelio received six performances this season.
Review 1:
Leighton Kerner in the Village Voice
"Fidelio"— Beethoven's paean to human goodness (overcoming evil) has just come back into the repertory (January 27) only to disappear again after the February 8 broadcast matinee. The revival fritters away much of the opera's power and point. Of two debutants, Reiner Goldberg was a prosaic, tenorially loud yet fragile Florestan, and Sylvia McNair, justly admired in many cities as a lyric-soprano Mozartian, seemed vocally weak in the Met's vastness, although her dramatic instincts were perfect. Hildegard Behrens's Leonore was acted and sung heroically, with none of the wobble and screech of recent years, Salminen's Rocco thundered nicely, and Donald Kaasch's Jacquino sounded bright and chummy. Ekkehard Wlaschiha’s Pizzarro lost necessary steam during the evening, but Christof Perick's conducting belatedly gained it.
Search by season: 1991-92
Search by title: Fidelio,
Met careers
- Christof Perick [Conductor]
- Hildegard Behrens [Leonore]
- Reiner Goldberg [Florestan]
- Ekkehard Wlaschiha [Don Pizarro]
- Matti Salminen [Rocco]
- Sylvia McNair [Marzelline]
- Donald Kaasch [Jaquino]
- Alan Held [Don Fernando]
- Michael Forest [First Prisoner]
- James Courtney [Second Prisoner]
- Otto Schenk [Production]
- Boris Aronson [Designer]
- Gil Wechsler [Lighting Designer]
- Bruce Donnell [Stage Director]