[Met Performance] CID:244020



Il Trittico
Il Tabarro
Suor Angelica
Gianni Schicchi
Metropolitan Opera House, Thu, January 22, 1976




Il Trittico (18)
Giacomo Puccini



Il Tabarro (22)
Giacomo Puccini | Giuseppe Adami
Giorgetta
Renata Scotto

Luigi
Harry Theyard

Michele
Cornell MacNeil

Frugola
Lili Chookasian

Talpa
Philip Booth

Tinca
Charles Anthony

Song Seller
Jon Garrison

Lover
Betsy Norden

Lover
Douglas Ahlstedt


Conductor
Sixten Ehrling


Production
Fabrizio Melano

Designer
David Reppa


Suor Angelica (18)
Giacomo Puccini | Giovacchino Forzano
Angelica
Renata Scotto

Princess
Lili Chookasian

Genovieffa
Betsy Norden

Osmina
Mary Fercana

Dolcina
Elizabeth Anguish

Monitor
Marcia Baldwin

Abbess
Jean Kraft

Mistress of Novices
Batyah Godfrey Ben-David

Nurse
Cynthia Munzer

Lay Sister
Maureen Smith

Lay Sister
Joyce Olson

Novice
Linda Mays

Novice
Shinja Kwak

Alms Collector
Alma Jean Smith

Alms Collector
Elena Doria


Conductor
Sixten Ehrling


Production
Fabrizio Melano

Designer
David Reppa


Gianni Schicchi (82)
Giacomo Puccini | Giovacchino Forzano
Gianni Schicchi
Frank Guarrera

Lauretta
Renata Scotto

Rinuccio
Raymond Gibbs

Nella
Betsy Norden

Ciesca
Marcia Baldwin

Zita
Lili Chookasian

Gherardo
Charles Anthony

Betto
Russell Christopher

Marco
Gene Boucher

Simone
Raymond Michalski

Gherardino
Lawrence Klein

Spinelloccio
Richard Best

Amantio
Andrij Dobriansky

Pinellino
Herman Marcus

Guccio
Edmond Karlsrud

Buoso Donati
Terry Allen


Conductor
Sixten Ehrling


Production
Fabrizio Melano

Designer
David Reppa







Review 1:

Review of Andrew Porter in the New Yorker

In "Il Tabarro," "Suor Angelica" and "Gianni Schicchi" Renata Scotto undertook all three heroines; though their characters are very different, the combined vocal demands hardly exceed those of a Butterfly or a Manon Lescaut. Miss Scotto's Giorgetta and Angelica, both the first of her career, were assured interpretations but mannered in their execution, as her portrayals usually are. (She managed to hold the house silent and attentive, too much moved to crash in with applause, after Angelica's "Senza mamma.") Intended by nature to be a lyric soprano and a delicious little butterball, she has invented a grand manner of her own and built up her voice to match. One can regret it, for she has acquired force at the expense of sweetness, but at the same time must admire and enjoy her thorough command, vocal and dramatic, of the spinto roles she essays. Nevertheless, it was as young Lauretta and in an effortlessly seductive account of "O mio babbino caro" that she was most enchanting.



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Search by title: Il Trittico, Il Tabarro, Suor Angelica, Gianni Schicchi,



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