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Carmen
Metropolitan Opera House, Fri, November 21, 1975
Debut : José Van Dam
Carmen (732)
Georges Bizet | Henri Meilhac/Ludovic Halévy
- Carmen
- Régine Crespin
- Don José
- James McCracken
- Micaela
- Lucine Amara
- Escamillo
- José Van Dam [Debut]
- Frasquita
- Alma Jean Smith
- Mercédès
- Cynthia Munzer
- Remendado
- Andrea Velis
- Dancaïre
- Russell Christopher
- Zuniga
- Andrij Dobriansky
- Moralès
- Gene Boucher
- Lillas Pastia
- Paul Franke
- Conductor
- Henry Lewis
Review 1:
Review of John Rockwell in The New York Times
José Van Dam, the Belgian bass who made his Metropolitan Opera debut Friday night as Escamillo in "Carmen," is the leading singer of the role in the world today and on Friday he showed why.
Escamillo is hardly all simpleminded, stentorian bravado. The range is treacherously wide, from solid bass to high baritone, and there is as much demand for soft, sensitive singing as for swagger and bluster. Most Escamillos content themselves with belting out the top notes and doing a lot of cape-swirling and let the rest fall where it will.
Mr. Van Dam s high bass encompasses the top of the part a bit better than the very bottom. It is a large, mellow instrument, able to modulate smoothly into soft singing. And his stage presence made the matador a fully commanding figure without falling into macho cheapness.
Search by season: 1975-76
Search by title: Carmen,
Met careers
- Henry Lewis [Conductor]
- Régine Crespin [Carmen]
- James McCracken [Don José]
- Lucine Amara [Micaela]
- José Van Dam [Escamillo]
- Alma Jean Smith [Frasquita]
- Cynthia Munzer [Mercédès]
- Andrea Velis [Remendado]
- Russell Christopher [Dancaïre]
- Andrij Dobriansky [Zuniga]
- Gene Boucher [Moralès]
- Paul Franke [Lillas Pastia]