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[Met Performance] CID:200080
Die Meistersinger von Nürnberg
Metropolitan Opera House, Wed, October 21, 1964
Die Meistersinger von Nürnberg (320)
Richard Wagner | Richard Wagner
Die Meistersinger von Nürnberg received six performances this season.
Review 1:
Review of John Ardoin in Musical America
The season’s first “Meistersinger,” October 21, was a respectable one, never quite routine, yet never quite inspired. The beautiful production by Robert O’Hearn and Nathaniel Merrill still gives immense pleasure, and it was wonderful to see such a handsome and credible pair of young lovers as Sandor Konya and Ingrid Bjoener, as Walther and Eva. Mr. Konya, especially, was in marvelous voice, and sang with freshness and vigor. Another fine performance was that of Pogner by Ezio Flagello. Otto Edelmann’s Sachs is not as vocally sturdy as it once was, but he still brings enormous dramatic insight to the part. Karl Dönch was again a fine Beckmesser, Norman Mittlemann , a very good Kothner and Gladys Kriese, an excellent Magdalene. Joseph Rosenstock conducted.
Search by season: 1964-65
Search by title: Die Meistersinger von Nürnberg,
Met careers
Die Meistersinger von Nürnberg
Metropolitan Opera House, Wed, October 21, 1964
Die Meistersinger von Nürnberg (320)
Richard Wagner | Richard Wagner
- Hans Sachs
- Otto Edelmann
- Eva
- Ingrid Bjoner
- Walther von Stolzing
- Sándor Kónya
- Magdalene
- Gladys Kriese
- David
- Murray Dickie
- Beckmesser
- Karl Dönch
- Pogner
- Ezio Flagello
- Kothner
- Norman Mittelmann
- Vogelgesang
- Paul Franke
- Nachtigall
- Calvin Marsh
- Ortel
- Robert Patterson
- Zorn
- Andrea Velis
- Moser
- Gabor Carelli
- Eisslinger
- Robert Nagy
- Foltz
- Louis Sgarro
- Schwarz
- Norman Scott
- Night Watchman
- Clifford Harvuot
- Conductor
- Joseph Rosenstock
- Director
- Nathaniel Merrill
- Designer
- Robert O'Hearn
- Choreographer
- Todd Bolender
Die Meistersinger von Nürnberg received six performances this season.
Review 1:
Review of John Ardoin in Musical America
The season’s first “Meistersinger,” October 21, was a respectable one, never quite routine, yet never quite inspired. The beautiful production by Robert O’Hearn and Nathaniel Merrill still gives immense pleasure, and it was wonderful to see such a handsome and credible pair of young lovers as Sandor Konya and Ingrid Bjoener, as Walther and Eva. Mr. Konya, especially, was in marvelous voice, and sang with freshness and vigor. Another fine performance was that of Pogner by Ezio Flagello. Otto Edelmann’s Sachs is not as vocally sturdy as it once was, but he still brings enormous dramatic insight to the part. Karl Dönch was again a fine Beckmesser, Norman Mittlemann , a very good Kothner and Gladys Kriese, an excellent Magdalene. Joseph Rosenstock conducted.
Search by season: 1964-65
Search by title: Die Meistersinger von Nürnberg,
Met careers
- Joseph Rosenstock [Conductor]
- Otto Edelmann [Hans Sachs]
- Ingrid Bjoner [Eva]
- Sándor Kónya [Walther von Stolzing]
- Gladys Kriese [Magdalene]
- Murray Dickie [David]
- Karl Dönch [Beckmesser]
- Ezio Flagello [Pogner]
- Norman Mittelmann [Kothner]
- Paul Franke [Vogelgesang]
- Calvin Marsh [Nachtigall]
- Robert Patterson [Ortel]
- Andrea Velis [Zorn]
- Gabor Carelli [Moser]
- Robert Nagy [Eisslinger]
- Louis Sgarro [Foltz]
- Norman Scott [Schwarz]
- Clifford Harvuot [Night Watchman]
- Nathaniel Merrill [Director]
- Robert O'Hearn [Designer]
- Todd Bolender [Choreographer]