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[Met Performance] CID:197190
La Traviata
Metropolitan Opera House, Mon, February 10, 1964
Debut : Igor Gorin
La Traviata (496)
Giuseppe Verdi | Francesco Maria Piave
Review 1:
Review of Conrad S. Susa in Musical America
The ninth "La Traviata" of the season (February 10) was highlighted by the debut of Igor Gorin, who sang the elder Germont. His appearance at the Met was of course, long overdue, and one can only say that it was his excellent reputation that carried him on that night for his performance was of no exceptional achievement either vocally or dramatically. His touching musicianship and tangible personality struck a responsive note in the audience, though, and they received him warmly.
John Alexander, making his first appearance as Alfredo, did some very good singing but passed up any attempt at establishing a relationship with his father, consequently only half of the character emerged. His fair acting powers were not helped any by the lack of ensemble feeling in the show.
Mary Costa remained true to herself and delivered a performance identical with the one described in this column last month.
George Schick was the block of ice that led the orchestra.
Search by season: 1963-64
Search by title: La Traviata,
Met careers
La Traviata
Metropolitan Opera House, Mon, February 10, 1964
Debut : Igor Gorin
La Traviata (496)
Giuseppe Verdi | Francesco Maria Piave
- Violetta
- Mary Costa
- Alfredo
- John Alexander
- Germont
- Igor Gorin [Debut] [Debut and only performance]
- Flora
- Marcia Baldwin
- Gastone
- Gabor Carelli
- Baron Douphol
- William Walker
- Marquis D'Obigny
- George Cehanovsky
- Dr. Grenvil
- Louis Sgarro
- Annina
- Lynn Blair
- Giuseppe
- Lou Marcella
- Gardener
- Paul De Paola
- Conductor
- George Schick
Review 1:
Review of Conrad S. Susa in Musical America
The ninth "La Traviata" of the season (February 10) was highlighted by the debut of Igor Gorin, who sang the elder Germont. His appearance at the Met was of course, long overdue, and one can only say that it was his excellent reputation that carried him on that night for his performance was of no exceptional achievement either vocally or dramatically. His touching musicianship and tangible personality struck a responsive note in the audience, though, and they received him warmly.
John Alexander, making his first appearance as Alfredo, did some very good singing but passed up any attempt at establishing a relationship with his father, consequently only half of the character emerged. His fair acting powers were not helped any by the lack of ensemble feeling in the show.
Mary Costa remained true to herself and delivered a performance identical with the one described in this column last month.
George Schick was the block of ice that led the orchestra.
Search by season: 1963-64
Search by title: La Traviata,
Met careers
- George Schick [Conductor]
- Mary Costa [Violetta]
- John Alexander [Alfredo]
- Igor Gorin [Germont]
- Marcia Baldwin [Flora]
- Gabor Carelli [Gastone]
- William Walker [Baron Douphol]
- George Cehanovsky [Marquis D'Obigny]
- Louis Sgarro [Dr. Grenvil]
- Lynn Blair [Annina]
- Lou Marcella [Giuseppe]
- Paul De Paola [Gardener]