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[Met Performance] CID:183390
Madama Butterfly
Metropolitan Opera House, Fri, December 4, 1959
Madama Butterfly (392)
Giacomo Puccini | Luigi Illica/ Giuseppe Giacosa
Review 1:
Review of Bodo Igez in Musical America
At this performance Licia Albanese appeared as Cio-Cio-San for the first time this season, and many of her admirers were on hand to welcome her back warmly. If Miss Albanese's singing of the part begins to show some signs of edginess, she sang most of the second and third acts with complete command of the vocal resources required for this role. Her phrasing remains exemplary and her portrayal a classic.
One could hardly have wished for a better Suzuki than Rosalind Elias, also singing her part for the first time this season. In a strikingly successful make-up she sang beautifully and acted convincingly. Clifford Harvuot, as Sharpless, made up in subtle dramatic expression and admiringly phrased singing for what Eugenio Fernandi's Pinkerton lacked in these respects.
Others in the cast were Charles Kullman, George Cehanovsky, Osie Hawkins, Luigi De Cesare and Roald Reitan, singing the Imperial Commissary for the first time at the Metropolitan. Mr. Reitan acquitted himself competently. Dimitri Mitropoulos conducted the opera with a dramatic awareness, which, if it left little room for lyricism, certainly kept things going.
Search by season: 1959-60
Search by title: Madama Butterfly,
Met careers
Madama Butterfly
Metropolitan Opera House, Fri, December 4, 1959
Madama Butterfly (392)
Giacomo Puccini | Luigi Illica/ Giuseppe Giacosa
- Cio-Cio-San
- Licia Albanese
- Pinkerton
- Eugenio Fernandi
- Suzuki
- Rosalind Elias
- Sharpless
- Clifford Harvuot
- Goro
- Charles Kullman
- Bonze
- Osie Hawkins
- Yamadori
- George Cehanovsky
- Kate Pinkerton
- Joan Wall
- Commissioner
- Roald Reitan
- Registrar
- Luigi De Cesare
- Conductor
- Dimitri Mitropoulos
Review 1:
Review of Bodo Igez in Musical America
At this performance Licia Albanese appeared as Cio-Cio-San for the first time this season, and many of her admirers were on hand to welcome her back warmly. If Miss Albanese's singing of the part begins to show some signs of edginess, she sang most of the second and third acts with complete command of the vocal resources required for this role. Her phrasing remains exemplary and her portrayal a classic.
One could hardly have wished for a better Suzuki than Rosalind Elias, also singing her part for the first time this season. In a strikingly successful make-up she sang beautifully and acted convincingly. Clifford Harvuot, as Sharpless, made up in subtle dramatic expression and admiringly phrased singing for what Eugenio Fernandi's Pinkerton lacked in these respects.
Others in the cast were Charles Kullman, George Cehanovsky, Osie Hawkins, Luigi De Cesare and Roald Reitan, singing the Imperial Commissary for the first time at the Metropolitan. Mr. Reitan acquitted himself competently. Dimitri Mitropoulos conducted the opera with a dramatic awareness, which, if it left little room for lyricism, certainly kept things going.
Search by season: 1959-60
Search by title: Madama Butterfly,
Met careers