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Rigoletto
Metropolitan Opera House, Sat, December 17, 1949
Rigoletto (295)
Giuseppe Verdi | Francesco Maria Piave
- Rigoletto
- Enzo Mascherini
- Gilda
- Erna Berger
- Duke of Mantua
- Jan Peerce
- Maddalena
- Martha Lipton
- Sparafucile
- Dezsö Ernster
- Monterone
- Clifford Harvuot
- Borsa
- Paul Franke
- Marullo
- George Cehanovsky
- Count Ceprano
- Denis Harbour
- Countess Ceprano
- Inge Manski
- Giovanna
- Thelma Altman
- Conductor
- Pietro Cimara
Review 1:
Irving Kolodin in the Sun
Mascherini Sings First Rigoletto
Without Jonel Perlea as conductor, or Richard Tucker and Leonard Warren in the cast, Saturday night’s “Rigoletto” was a dimmer, duller affair than the admired one of the week before. The absence of Perlea was a consequence of the afternoon “Tristan,” which he conducted as impressively as before. As Rigoletto, Enzo Mascherini was either having a bad night, vocally, or was engaging a task too heavy for his resources in this big house. It was mostly hoarse, strained singing, without more than conventional drama, and too little resource for the climaxes. Jan Peerce’s Duke was earnestly conveyed, but this voice is beginning to show the wear of hard use. In consequence, the evening was saved by Erna Berger’s ear-caressing finely-turned Gilda which every lover of skillful florid singing should have. Italian opera is in a bad way here when the best work comes from a woman born in Dresden! Pietro Cimara conducted as if in a hurry to get over with the whole thing.
Search by season: 1949-50
Search by title: Rigoletto,
Met careers
- Pietro Cimara [Conductor]
- Enzo Mascherini [Rigoletto]
- Erna Berger [Gilda]
- Jan Peerce [Duke of Mantua]
- Martha Lipton [Maddalena]
- Dezsö Ernster [Sparafucile]
- Clifford Harvuot [Monterone]
- Paul Franke [Borsa]
- George Cehanovsky [Marullo]
- Denis Harbour [Count Ceprano]
- Inge Manski [Countess Ceprano]
- Thelma Altman [Giovanna]