[Met Performance] CID:146250



Der Rosenkavalier
Metropolitan Opera House, Thu, December 4, 1947




Der Rosenkavalier (116)
Richard Strauss | Hugo von Hofmannsthal
Octavian
Risë Stevens

Princess von Werdenberg (Marschallin)
Irene Jessner

Baron Ochs
Emanuel List

Sophie
Eleanor Steber

Faninal
Frederick Lechner

Annina
Hertha Glaz

Valzacchi
John Garris

Italian Singer
Kurt Baum

Marianne
Thelma Votipka

Mahomet
Peggy Smithers

Princess' Major-domo
Emery Darcy

Orphan
Maxine Stellman

Orphan
Irene Jordan

Orphan
Thelma Altman

Milliner
Frances Greer

Animal Vendor
Lodovico Oliviero

Hairdresser
Edward Caton

Notary
Gerhard Pechner

Leopold
Ludwig Burgstaller

Faninal's Major-domo
Anthony Marlowe

Innkeeper
Leslie Chabay

Police Commissioner
Lorenzo Alvary


Conductor
Max Rudolf


Director
Herbert Graf

Set Designer
Hans Kautsky

Costume Designer
Alfred Roller





Der Rosenkavalier received thirteen performances this season.

Review 1:

Review of Francis D. Perkins in the Herald Tribune

"Der Rosenkavalier"

Strauss Opera Has Season's Premiere at Metropolitan

Richard Strauss's "Der Rosenkavalier" was sung at the Metropolitan Opera House for the first time this season last night with a familiar list of principals. As originally planned, the performance would have introduced a new Marschallin, Erna Schlueter, who had made her American debut as Isolde nine days ago, but she was reportedly indisposed, and Irene Jessner sang the role which she has represented here on many previous occasions. As before, her Marschallin had dignity and expressiveness; her singing in the first act - considerations of time prevented the reviewer from awaiting her re-entry in the third - was generally appealing in tone, although vocal limitations did not always escape notice.

Rise Stevens's Octavian remains one of her most convincing roles from a dramatic point of view, and, despite some rather mannered posing early in the second act, seemed successful in reflecting the personality of the character; her singing was very creditable. Eleanor Steber's Sophie had charm, although the soprano was not in her best voice. Mr. List's Baron Ochs was impersonated along familiar lines; his singing was sometimes more declamatory than musical, but his general characterization gave a sense of savor and dramatic conviction.

Mr. Baum fared well in his first-act solo, and Mr. Lechner's Faninal was commendably presented. Under Mr. Rudolf's direction some of the orchestral music was played with due vitality and color, but other measures were set forth with a mainly routine correctness, and in this regard the performance did not give a full account of the rich resources of this score.



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