[Met Performance] CID:140430

New Production

Il Tabarro
Don Pasquale
Metropolitan Opera House, Sat, January 5, 1946 Matinee Broadcast


Debut : Dino Yannopoulos




Il Tabarro (12)
Giacomo Puccini | Giuseppe Adami
Giorgetta
Licia Albanese

Luigi
Frederick Jagel

Michele
Lawrence Tibbett

Frugola
Margaret Harshaw

Talpa
Virgilio Lazzari

Tinca
Alessio De Paolis

Song Seller
Anthony Marlowe

Lover
Maxine Stellman

Lover
Thomas Hayward


Conductor
Cesare Sodero


Director
Dino Yannopoulos [Debut]

Set Designer
Joseph Novak


Don Pasquale (38)
Gaetano Donizetti | Giovanni Ruffini
Don Pasquale
Salvatore Baccaloni

Norina
Bidú Sayão

Ernesto
Nino Martini

Dr. Malatesta
John Brownlee

Notary
Alessio De Paolis


Conductor
Fritz Busch


Director
Désiré Defrère

Designer
Jonel Jorgulesco





Il Tabarro received four performances this season.
Don Pasquale received four performances this season.

Review 1:

Review of Virgil Thomson in The New York Herald Tribune

Puccini's one act opera, "Il Tabarro," which was produced yesterday afternoon at the Metropolitan Opera House for the first time since 1920, is a lugubrious little story about a sex triangle on a canal boat.

The music is pretty, though like all the music of Puccini's later years a little skimpily harmonized. Its atmospheric passages are genuinely atmospheric, too. They don't evoke anything in particular, but they are good for suggesting any scene that is painted on the backdrop. And the people have the standard Puccini life, chiefly a state of howling self-pity.

["Il Tabarro's"] density, I should say is about that of "The Girl of the Golden West." Which is to say that there are lovely moments in it but that there are also thin spots. Yesterday, at the end, the effects of terror and pity, which are the only criteria for judging such a melodrama, seemed not very prevalent in the house. Your reporter neither witnessed tears nor felt any milling in his breast.

The vocal rendering of the work was adequate, though at no point thrilling. The orchestra leadership and general pacing was clear. The acting was mostly a bit stiff. A worthy performance only.



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