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Das Rheingold
Ring Cycle [76]
Metropolitan Opera House, Sat, March 10, 1945
Das Rheingold (92)
Richard Wagner | Richard Wagner
- Wotan
- Herbert Janssen
- Fricka
- Blanche Thebom
- Alberich
- Frederick Lechner
- Loge
- John Garris
- Erda
- Margaret Harshaw
- Fasolt
- Nicola Moscona
- Fafner
- Emanuel List
- Freia
- Astrid Varnay
- Froh
- Emery Darcy
- Donner
- Osie Hawkins
- Mime
- Karl Laufkötter
- Woglinde
- Thelma Votipka
- Wellgunde
- Lucielle Browning
- Flosshilde
- Martha Lipton
- Conductor
- George Szell
Ring Cycle [76]
Review 1:
Review of Noel Straus in The New York Times
"RHEINGOLD" HEARD AT METROPOLITAN
BlancheThebom, Miss Varnay and Martha Lipton Make Debuts in Cast
The presentation of Wagner's "Das Rheingold" last night at the Metropolitan Opera House opened the annual Saturday evening series of "The Ring." Three of the members of the cast had not been heard before in the work. Blanche Thebom, appearing as Fricka, Astrid Varnay as Freia, and Martha Lipton as Flosshilde, for the first time. The rest of the personnel was identical with that of the earlier performance of the season, with George Szell again conducting.
Of the three young artists entrusted with roles new to them, Miss Thebom accomplished the most commendable singing. Though Fricka, like Freia and Flosshilde, has little chance in the introductory music drama of the cycle, a good deal can be done with the part, and vocally Miss Thebom made most of her opportunities tell.
With clear, firm tones she expressed the goddess' indignation at Wotan's pact and her solicitude for Freia's safety. But the voice was used with over-discretion and not permitted to soar forth with the full-bodied tones that marked her work in her two previous roles. Her acting was intelligent and dignified, but as yet she had not fully identified herself with the part, which demands more vividness and vital impact.
Miss Varnay was not in top form as Freia, her few brief outcries being uttered in pushed, shrill tones, but her portrayal was laudably simple and sympathetic. As for Miss Lipton, she was not well cast as Flosshilde, since she does not happen to possess a voice of the true contralto type needed to land the third Rhine Maiden's music the desired contrast to that of the other two. Moreover, her singing was too light in volume for this part.
The other participants on stage included Herbert Janssen as Wotan, Frederick Lechner as Alberich, John Garris as Loge, Karl Laufkötter as Mime, Osie Hawkins as Donner, Emanuel List as Fafner, Nicola Moscona as Fasolt, Emery Darcy as Froh, Margaret Harshaw as Erda, Thelma Votipka as Woglinde and Lucille Browning as Wellgunde. Since their work was detailed in the
Review 2:Review on the previous performance and remained virtually the same, there is no need for further comment on it.
Search by season: 1944-45
Search by title: Das Rheingold, Ring Cycle [76],
Met careers
- George Szell [Conductor]
- Herbert Janssen [Wotan]
- Blanche Thebom [Fricka]
- Frederick Lechner [Alberich]
- John Garris [Loge]
- Margaret Harshaw [Erda]
- Nicola Moscona [Fasolt]
- Emanuel List [Fafner]
- Astrid Varnay [Freia]
- Emery Darcy [Froh]
- Osie Hawkins [Donner]
- Karl Laufkötter [Mime]
- Thelma Votipka [Woglinde]
- Lucielle Browning [Wellgunde]
- Martha Lipton [Flosshilde]