[Met Tour] CID:94100



L'Africaine
American Academy of Music, Philadelphia, Pennsylvania, Tue, November 9, 1926


In Italian



L'Africaine (45)
Giacomo Meyerbeer | Eugène Scribe
Sélika
Rosa Ponselle

Vasco de Gama
Beniamino Gigli

Inès
Nannette Guilford

Nélusko
Giuseppe Danise

Pedro
Adamo Didur

Diégo
Paolo Ananian

Alvar
Angelo Badà

Grand Inquisitor
Léon Rothier

Anna
Henriette Wakefield

Usher
Vincenzo Reschiglian

Officer
Max Altglass


Conductor
Tullio Serafin


Director
Samuel Thewman

Set Designer
Joseph Urban

Costume Designer
Gretel Urban

Choreographer
August Berger





L'Africaine received five performances this season.

Review 1:

Review in the Philadelphia Ledger

'L'AFRICANA' SUNG BY METROPOLITAN

Meyerbeer's Exotic Opera Received Brilliant but Somewhat Uneven Rendition

That curious hodgepodge of operatic styles and yet with an individuality all its own, Meyerbeer's "L'Africana" went through a brilliant, altogether somewhat uneven, performance at the Academy of Music last night by the Metropolitan Opera Company of New York. Pure Italian, based upon Rossini in its vocal writing, strongly influenced by the early Wagnerian operas in its orchestration and with a mise-en-scene and general atmosphere peculiar to the Paris Opera of the fifties and sixties, "L'Africana" even today occupies a unique position in the operatic repertoire.

It is musically outmoded by half a century at the present time, and yet it has a kind of exotic fragrance of its own, being the most musical of Meyerbeer's operas and, despite many conventional places, is generally freer from this blemish than any of his other operas. However, it has throughout his fatal weakness of beginning with a superb idea and suddenly dropping into mediocrity of banal conventionality.

But it is a magnificent vehicle for the display of the talents of a Gigli and a Ponselle, added to which is the fact that it offers the best opportunity imaginable for superb staging of a spectacular work in which the Metropolitan is supreme, and the appearance of perhaps the best ballet in the world in a series of figures which for beauty of elaboration have few equals in the operatic field. These are, perhaps, the reasons why it remains consistently in the repertoire of the Metropolitan Opera Company. And to the great audience, delayed by the storm, but which finally filled the Academy last evening, they seemed to be sufficient.

Gigli was in magnificent voice and sang the role of Vasco di Gama superbly. Mme. Ponselle gave a splendid portrayal of the Indian Princess, registering rebellious submission in the first act and regality galore in the subsequent ones. The ballet was one of the best that even the Metropolitan has ever put on in this city. Maestro Serafin conducted with his usual spirit and skill, although the ensemble was not nearly as good as at last week's performance.



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