[Met Performance] CID:92860



La Vida Breve
Le Rossignol
Metropolitan Opera House, Fri, March 19, 1926


In Spanish|French



La Vida Breve (3)
Manuel De Falla | Carlos Fernández Shaw
Salud
Lucrezia Bori

Paco
Armand Tokatyan

Grandmother
Kathleen Howard

Sarvaor
Louis D'Angelo

Carmela
Merle Alcock

Singer
Giovanni Martino

Voice
Charlotte Ryan

Voice
Grace Anthony

Voice
Angelo Badà

Voice
Max Altglass

Dance
Florence Rudolph

Dance
Giuseppe Bonfiglio


Conductor
Tullio Serafin


Le Rossignol (3)
Igor Stravinsky | Stepan Mitusov
Manuel
Millo Picco

Nightingale
Marion Talley

Fisherman
Ralph Errolle

Cook
Ina Bourskaya

Emperor
Adamo Didur

Chamberlain
Gustav Schützendorf

Bonze
James Wolfe

Death
Henriette Wakefield

Japanese Envoy/Lantern Servant
Max Altglass

Japanese Envoy
Millo Picco

Japanese Envoy
Giordano Paltrinieri

Lantern Servant
Laura Robertson

Lantern Servant
Mary Bonetti


Conductor
Tullio Serafin







Review 1:

Review signed B. L. D. in Musical America

Two Novelties Repeated

Manuel de Falla's "La Vida Breve" and Igor Stravinsky's "Le Rossignol," constituting the Metropolitan's latest double bill, were given their second performance on March 19, with Tullio Serafin conducting. A re-hearing of the Spanish work strengthens one's original impression that it is less an opera than a symphonic poem with mimetic and vocal adjuncts. The dramatic crescendo moves with so deliberate a tempo and the denouement of the tenuous plot is so clearly foreseen from the beginning that the final moment of tragedy has little emotional power.

Attention concentrated on the orchestration is rewarded by music of adroit workmanship and atmospheric charm. The melodic and rhythmic elements are consistently Iberian, strongly tinged with the Moorish idiom that is an inseparable part of folk-music in southern Spain. Rhythmic diversity and iridescence of instrumental color offset, to some extent, the monotone of the dramaturgy.

Lucrezia Bori sang again the role of Salud with unfailing beauty of tone and grace of phrasing. Armand Tokatyan, in the ungrateful position of leading tenor with little to sing or do, solved the problem agreeably. Giovanni Martino replaced Millo Picco as A Singer, while Mr. Picco substituted for Arnold Gabor as Manuel. Otherwise, the cast was the same as at the premiere, Kathleen Howard as the Grandmother, Merle Alcock as Carmela and Louis d'Angelo as Uncle Sarvaor.

Curious spectators, rising sporadically in the forepart of the house to catch a glimpse of Marion Talley in the orchestra pit, again provided a silhouetted prelude to "Le Rossignol." Miss Talley sang the roulades of the nightingale with the same fluent ease as before, while her attack of the high notes had greater surety. Ralph Errolle's delivery of the Fisherman's lines was noticeably improved in smoothness. On the stage there was no change in the cast of Adamo Didur as the Emperor, Gustav Schützendorf as the Chamberlain, James Wolfe as the Bonze, Ina Bourskaya as the Cook and Henriette Wakefield as Death.



Search by season: 1925-26

Search by title: La Vida Breve, Le Rossignol,



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