[Met Concert or Gala] CID:50830



Twenty-First Sunday Concert
Metropolitan Opera House, Sun, April 9, 1911




Twenty-First Sunday Concert



Metropolitan Opera House
April 9, 1911


TWENTY-FIRST SUNDAY CONCERT

Tannhäuser: Overture

Conductor...............Josef Pasternack

Three English ballads
Herbert Witherspoon
Carlos Salzedo, Harp

Der Fliegende Holländer: Spinning Chorus; Senta's Ballad
Gertrude Rennyson [Only appearance]
Clara Sapin [Only appearance]
MacDowell Chorus

Rienzi: The Messengers of peace
Alma Gluck
Ladies of the MacDowell Chorus

Chabrier: Briseis: Hymn to Apollo
Alma Gluck
Ladies of the MacDowell Chorus

Conductor...............Kurt Schindler [Only appearance]


Alceste: Divinités du Styx
Louise Homer

Paganini: Violin Concerto in D Major
Francis MacMillen, violin [First appearance]

Haydn: The Creation: With verdue clad
Alma Gluck

Conductor...............Josef Pasternack


Mussorgsky: Joshua Cantata
Clara Sapin
MacDowell Chorus

Prince Igor: Polovtsian Dances
MacDowell Chorus

Conductor...............Kurt Schindler


Schubert/Wilhelmj: Ave Maria
Francis MacMillen, violin

Hamlet: Mad Scene
Bernice de Pasquali

Conductor...............Josef Pasternack

[According to the New York Times: "...Only Mr. Macmillen appeared to be exempt from the rule printed on the programme of 'positively no encores,' and he broke it twice."]





Three English ballads
Herbert Witherspoon
Carlos Salzedo, Harp
Der Fliegende Holländer: Spinning Chorus; Senta's Ballad
Gertrude Rennyson [Only appearance
Clara Sapin [Only appearance
MacDowell Chorus
Rienzi: The Messengers of peace
Alma Gluck
Ladies of the MacDowell Chorus
Chabrier: Briseis: Hymn to Apollo
Alma Gluck
Ladies of the MacDowell Chorus
Alceste: Divinités du Styx
Louise Homer
Paganini: Violin Concerto in D Major
Francis MacMillen, violin [First appearance
Haydn: The Creation: With verdue clad
Alma Gluck
Mussorgsky: Joshua Cantata
Clara Sapin
MacDowell Chorus
Prince Igor: Polovtsian Dances
MacDowell Chorus
Schubert/Wilhelmj: Ave Maria
Francis MacMillen, violin
Hamlet: Mad Scene
Bernice de Pasquali
According to the New York Times: "...Only Mr. Macmillen appeared to be exempt from the rule printed on the programme of 'positively no encores,' and he broke it twice."

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Search by title: Twenty-First Sunday Concert,



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